The expressionistic nature of Ladislav Klíma’s piece and the subject of a fictitious story abounding in murders, dreams about murders, tattle and high philosophising of the five main characters directly urges the application of trained voices within the new context of the sonic potential of electronic composition. Composition that, notwithstanding an experimental approach, has not altogether deserted the domain of historical music yet utilises it in novel acoustic options, blending sampling, electronics and live instruments What is more, the typical Klímaesque metaphysical penetration of reality into dream and dream into reality has motivated Acher to set the story beyond time sequence, thus giving rise to a space of infinite possibilities, whereby “Beauty is a kiss between love and monstrosity”.
About the company
The National Theatre is the prime stage of the Czech Republic. It is also one of the symbols of national identity and a part of the European cultural space, with a tradition spanning more than 130 years. It is the bearer of the national cultural heritage, as well as a space for free artistic creation.
Today, the National Theatre is made up of four artistic companies – the Opera, Drama, Ballet and Laterna magika. It artistically manages four stages – the three historical buildings: the National Theatre (1883), the State Opera (1888), and the Estates Theatre (1783), and the more recently opened New Stage (1983). The Opera, Drama and Ballet companies perform not only titles from the ample classical legacy, in addition to Czech works, they also focus on contemporary international creation.